Jennifer van Alstyne is the former Poetry Editor of Bombay Gin. She was Book Reviews Editor, then Associate Editor, of the poetics journal, Something On Paper.
Jennifer is on a break from publishing poetry as she builds her company. She’s still writing in San Diego.
2022
When I Opened My Mouth, Outrider Lineage Radio
How to Resound, Outrider Lineage Radio
2021
There’s a Ghost In Your Walls, Hoosac Today
2018
Taken, Qwerty
Pelt, Qwerty
Winter Weight, Qwerty
Troisgros, {isacoustic*}
Rhythm, {isacoustic*}
Telegram, {isacoustic*}
2017
Familiar, The Maynard
Pianissimo, The Maynard
Punchao, Mad River Review
Altars of Nonesuch was selected for Glass: A Journal of Poetry 2017 Reading List
Sitting on an Antique Sofa in Weston, Massachusetts on a Summer’s Evening, The Citron Review
Sitting in the Japanese Maple on Hickory Road, Wellesley, Massachusetts, ELKE
The Idea of North, Sweet Tree Review
2016
Pelt was selected as a finalist for the 2016 Paper Nautilus Vella Chapbook Prize and for the 2016 Chapbook Contest of The Comstock Writers Group
This Is A Love Poem, Stonecoast Review
Fifty50, COG
Process (3), COG
2015
20,781 Days, Paper Nautilus
2014
The Ear, was featured in Crack the Spine and the Crack the Spine Fall 2014 Anthology.
Jennifer van Alstyne was selected as winner of The Glenn Gould Foundation’s Aria of the Goldberg Variations Contest celebrating the 60th anniversary of the 1955 recording of the Goldberg Variations along with poems, Maestoso and Theme.
R, 30/30 Poetic Vision Project at the Jack Kerouac School
Muscle Memory, Eunoia Review
Territory, Eunoia Review
Veil, Eunoia Review
Witching Hour, Eunoia Review
2013
This Is Not A Love Poem, Paper Nautilus
Manipulation, The Foundling Review
2012
Wild Seed, Eunoia Review
Laundry, Eunoia Review
City Smog, Eunoia Review
Jennifer van Alstyne 